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dc.contributor.authorBEECH, Nen_US
dc.date.accessioned2017-06-06T10:49:53Z
dc.date.available2017-03-05en_US
dc.date.submitted2017-03-14T12:10:18.392Z
dc.identifier.issn1360-2365en_US
dc.identifier.urihttp://qmro.qmul.ac.uk/xmlui/handle/123456789/23568
dc.description.abstractFrom 1956 to 1962 the ‘first’ New Left in Britain made radical critical interventions in the politics and culture of the welfare state. Typically, the work of the leading intellectuals in this movement—including Stuart Hall, Raphael Samuel, Edward Thompson and Raymond Williams—has been understood as part of an intellectual history: either of Marxism or cultural studies. I argue that it is better to understand the New Left in Britain as a practical political and cultural project, intervening in and productive of specific kinds of spatial environment. To develop this argument, two examples of such spaces are examined: The Partisan Coffee House, established in 1959 by Raphael Samuel as an ‘anti-expresso bar’ and the Secondary Modern school where Stuart Hall worked as a supply teacher. The former site is understood as a ‘milieu’, the latter as a ‘concentration’ in the contested metropole of London. Throughout, a question over the determinate relationship of art to society is raised, with implications for political analysis and action.en_US
dc.format.extent488 - 511 (24)en_US
dc.languageEnglishen_US
dc.language.isoenen_US
dc.publisherTaylor & Francis (Routledge)en_US
dc.relation.ispartofThe Journal of Architectureen_US
dc.titleSocial Condensation in the Metropole: Locating the First New Leften_US
dc.typeArticle
dc.rights.holder© 2017 Routledge
dc.identifier.doi10.1080/13602365.2017.1321032en_US
pubs.issue3en_US
pubs.notesNot knownen_US
pubs.publication-statusAccepteden_US
pubs.publisher-urlhttp://www.tandfonline.com/toc/rjar20/currenten_US
pubs.volume22en_US
dcterms.dateAccepted2017-03-05en_US


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