'Where do these lines go? Poetry in Beirut'
| dc.contributor.author | BRADY, A | en_US |
| dc.contributor.editor | Riordan, M | en_US |
| dc.contributor.editor | Chingonyi, K | en_US |
| dc.date.accessioned | 2017-05-24T09:34:39Z | |
| dc.date.available | 2016-06-20 | en_US |
| dc.date.issued | 2016-10-01 | en_US |
| dc.date.submitted | 2016-08-18T12:04:53.379Z | |
| dc.identifier.issn | 0032-2156 | en_US |
| dc.identifier.uri | http://qmro.qmul.ac.uk/xmlui/handle/123456789/23304 | |
| dc.description.abstract | This essay reflects on my experience performing at a poetry festival in Beirut, incorporating on globalisation, translingualism, colonialism and the status of poetry in the midst of crisis. | en_US |
| dc.format.extent | 28 - 38 (10) | en_US |
| dc.language | English | en_US |
| dc.language.iso | en | en_US |
| dc.relation.ispartof | Poetry Review | en_US |
| dc.subject | poetry | en_US |
| dc.subject | Lebanese poetry | en_US |
| dc.subject | colonialism | en_US |
| dc.subject | globalisation | en_US |
| dc.subject | drones | en_US |
| dc.title | 'Where do these lines go? Poetry in Beirut' | en_US |
| dc.type | Article | |
| pubs.notes | Not known | en_US |
| pubs.publication-status | Accepted | en_US |
| pubs.volume | Autumn 2016 | en_US |
| dcterms.dateAccepted | 2016-06-20 | en_US |
