Browsing by Author "BARTHET, M"
Now showing items 1-7 of 7
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Designing Computationally Creative Musical Performance Systems
Goddard, C; BARTHET, M; Wiggins, G; Audio Mostly 2017 (ACM, 2017-08-23)This is work in progress where we outline a design process for a computationally creative musical performance system using the Creative Systems Framework (CSF). The proposed system is intended to produce virtuosic ... -
FEATUR.UX: An approach to leveraging multitrack information for artistic music visualization
OLOWE, I; BARTHET, M; GRIERSON, M; BRYAN-KINNS, N; International Conference on Technologies for Music Notation and Representation (TENOR)FEATUR.UX (Feature - ous) is an audio visualisation tool, currently in the process of development, which proposes to introduce a new approach to sound visualisation using pre-mixed, independent multitracks and audio feature ... -
Improving Musical Expressiveness by Time-Varying Brightness Shaping
BARTHET, M; Kronland-Martinet, R; Ystad, SWhile listeners' emotional response to music is the subject of numerous studies, less attention is paid to the dynamic emotion variations due to the interaction between artists and audiences in live improvised music ... -
Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Framework
Fazekas, G; BARTHET, M; Sandler, MB (Springer-Verlag, 2014-12-05)While listeners’ emotional response to music is the subject of numerous studies, less attention is paid to the dynamic emotion variations due to the interaction between artists and audiences in live improvised music ... -
A Participatory Live Music Performance with the Open Symphony System
Hayes, K; BARTHET, M; Wu, Y; Zhang, L; Bryan-Kinns, N; ACM Conference on Human Factors in Computing Systems (CHI): Interactivity (2016-05-07)Our Open Symphony system reimagines the music experience for a digital age, fostering alliances between performer and audience and our digital selves. Open Symphony enables live participatory music performance where the ... -
residUUm: user mapping and performance strategies for multilayered live audiovisual generation
OLOWE, I; MORO, G; BARTHET, M; International Conference on New Interfaces for Musical Expression (NIME)We propose residUUm, an audiovisual performance tool that uses sonification to orchestrate a particle system of shapes, as an attempt to build an audiovisual user interface in which all the actions of a performer on a ... -
A Web Application for Audience Participation in Live Music Performance: The Open Symphony Use Case
Zhang, L; Wu, Y; BARTHET, M; International Conference on New Interfaces for Musical Expression (2016-07-11)This paper presents a web-based application enabling au- diences to collaboratively contribute to the creative pro- cess during live music performances. The system aims at enhancing audience engagement and creating new ...