Show simple item record

dc.contributor.authorLinsley, Johanna
dc.date.accessioned2015-09-08T11:07:32Z
dc.date.available2015-09-08T11:07:32Z
dc.date.issued2012-07
dc.identifier.citationLinsley, J. 2013. I Know Something You Don’t Know: Contemporary Performance and the Politics of Expertise. Queen Mary University of London.en_US
dc.identifier.urihttp://qmro.qmul.ac.uk/xmlui/handle/123456789/8510
dc.descriptionPhDen_US
dc.description.abstractThis thesis explores the figure of the expert in a range of contemporary performance practices. Much has been written in recent years about the rise of education, pedagogy and research as both curatorial strategies and modes for making art (see below for cited texts). The significance of theatre and performance within these practices has also been asserted (see, for instance, Shannon Jackson’s Social Works). I argue, however, that the specific use of the figure of the expert within the conjunction of pedagogy, research and performance has not been fully addressed. I further argue that looking at the expert in performance practices provides valuable insight into the broader contemporary dynamic of knowledge and power, as well as telling us much about the current state of performance itself. This is clearly a broad topic, with many possibilities for analysis. In this introduction, therefore, I will outline the rationale behind my choices of practices and critical resources, and I will discuss the rationale behind the geographical and temporal limits that I have chosen. I will also define my key terms, while noting that all of them are both contested and subject to change. I will discuss my methodology, including the various ways I have accessed the performance events and documentation that are included in this thesis, and my approach to the interdisciplinarity that necessarily underpins a project with such potentially broad scope as this one. Finally, I will briefly outline the six chapters which form the body of this study, again indicating reasons for the choices I have made, as well as drawing a few initial connections between practices and ideas.en_US
dc.language.isoenen_US
dc.publisherQueen Mary University of Londonen_US
dc.subjectDramaen_US
dc.subjectPerforming Artsen_US
dc.subjectPerformanceen_US
dc.titleI Know Something You Don’t Know: Contemporary Performance and the Politics of Expertiseen_US
dc.typeThesisen_US
dc.rights.holderThe copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author


Files in this item

Thumbnail

This item appears in the following Collection(s)

  • Theses [2752]
    Theses Awarded by Queen Mary University of London

Show simple item record