dc.contributor.author | Jack, RH | en_US |
dc.contributor.author | Mehrabi, A | en_US |
dc.contributor.author | Stockman, T | en_US |
dc.contributor.author | McPherson, A | en_US |
dc.date.accessioned | 2018-09-14T14:31:38Z | |
dc.date.available | 2018-03-28 | en_US |
dc.date.issued | 2018-09 | en_US |
dc.date.submitted | 2018-04-19T14:31:42.067Z | |
dc.identifier.issn | 0730-7829 | en_US |
dc.identifier.uri | http://qmro.qmul.ac.uk/xmlui/handle/123456789/44614 | |
dc.format.extent | 109 - 128 | en_US |
dc.relation.ispartof | MUSIC PERCEPTION | en_US |
dc.rights | This is a pre-copyedited, author-produced version of an article accepted for publication in Music Perception following peer review. The version of record is available http://mp.ucpress.edu/content/36/1/109 | |
dc.subject | audiotactile latency | en_US |
dc.subject | sensorimotor synchronization | en_US |
dc.subject | quality judgments | en_US |
dc.subject | percussionists | en_US |
dc.subject | digital musical instruments | en_US |
dc.title | ACTION-SOUND LATENCY AND THE PERCEIVED QUALITY OF DIGITAL MUSICAL INSTRUMENTS: COMPARING PROFESSIONAL PERCUSSIONISTS AND AMATEUR MUSICIANS | en_US |
dc.type | Article | |
dc.rights.holder | © 2018 by The Regents of the University of California | |
dc.identifier.doi | 10.1525/MP.2018.36.1.109 | en_US |
pubs.author-url | http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000454442600008&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=612ae0d773dcbdba3046f6df545e9f6a | en_US |
pubs.issue | 1 | en_US |
pubs.notes | No embargo | en_US |
pubs.notes | This is the pre-print version of the paper. | en_US |
pubs.publication-status | Published | en_US |
pubs.volume | 36 | en_US |
qmul.funder | Design for Virtuosity: Modelling and Supporting Expertise in Digital Musical Interaction::Engineering and Physical Sciences Research Council | en_US |