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dc.contributor.authorJack, RHen_US
dc.contributor.authorMehrabi, Aen_US
dc.contributor.authorStockman, Ten_US
dc.contributor.authorMcPherson, Aen_US
dc.date.accessioned2018-09-14T14:31:38Z
dc.date.available2018-03-28en_US
dc.date.issued2018-09en_US
dc.date.submitted2018-04-19T14:31:42.067Z
dc.identifier.issn0730-7829en_US
dc.identifier.urihttp://qmro.qmul.ac.uk/xmlui/handle/123456789/44614
dc.format.extent109 - 128en_US
dc.relation.ispartofMUSIC PERCEPTIONen_US
dc.rightsThis is a pre-copyedited, author-produced version of an article accepted for publication in Music Perception following peer review. The version of record is available http://mp.ucpress.edu/content/36/1/109
dc.subjectaudiotactile latencyen_US
dc.subjectsensorimotor synchronizationen_US
dc.subjectquality judgmentsen_US
dc.subjectpercussionistsen_US
dc.subjectdigital musical instrumentsen_US
dc.titleACTION-SOUND LATENCY AND THE PERCEIVED QUALITY OF DIGITAL MUSICAL INSTRUMENTS: COMPARING PROFESSIONAL PERCUSSIONISTS AND AMATEUR MUSICIANSen_US
dc.typeArticle
dc.rights.holder© 2018 by The Regents of the University of California
dc.identifier.doi10.1525/MP.2018.36.1.109en_US
pubs.author-urlhttp://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000454442600008&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=612ae0d773dcbdba3046f6df545e9f6aen_US
pubs.issue1en_US
pubs.notesNo embargoen_US
pubs.notesThis is the pre-print version of the paper.en_US
pubs.publication-statusPublisheden_US
pubs.volume36en_US
qmul.funderDesign for Virtuosity: Modelling and Supporting Expertise in Digital Musical Interaction::Engineering and Physical Sciences Research Councilen_US


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