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dc.contributor.authorMOFFAT, DJen_US
dc.contributor.authorREISS, JDen_US
dc.date.accessioned2018-05-09T09:49:27Z
dc.date.available2017-11-15en_US
dc.date.issued2018-04-03en_US
dc.date.submitted2018-04-30T13:22:56.110Z
dc.identifier.other13
dc.identifier.other13
dc.identifier.other13en_US
dc.identifier.other13en_US
dc.identifier.other13en_US
dc.identifier.urihttp://qmro.qmul.ac.uk/xmlui/handle/123456789/36964
dc.description.abstractSound synthesis is the process of generating artificial sounds through some form of simulation or modelling. This article aims to identify which sound synthesis methods achieve the goal of producing a believable audio sample that may replace a recorded sound sample. A perceptual evaluation experiment of five different sound synthesis techniques was undertaken. Additive synthesis, statistical modelling synthesis with two different feature sets, physically inspired synthesis, concatenative synthesis, and sinusoidal modelling synthesis were all compared. Evaluation using eight different sound class stimuli and 66 different samples was undertaken. The additive synthesizer is the only synthesis method not considered significantly different from the reference sample across all sounds classes. The results demonstrate that sound synthesis can be considered as realistic as a recorded sample and makes recommendations for use of synthesis methods, given different sound class contexts.en_US
dc.languageEnglishen_US
dc.publisherACMen_US
dc.relation.ispartofACM Transactions on Applied Perception (TAP)en_US
dc.titlePerceptual Evaluation of Synthesized Sound Effectsen_US
dc.typeArticle
dc.rights.holderCopyright © 2018 ACM, Inc.
dc.identifier.doi10.1145/3165287en_US
pubs.issue2en_US
pubs.notesNot knownen_US
pubs.publication-statusPublisheden_US
pubs.publisher-urlhttps://dl.acm.org/citation.cfm?id=3165287en_US
pubs.volume15en_US
dcterms.dateAccepted2017-11-15en_US
qmul.funderDTA - Queen Mary, University of London::Engineering and Physical Sciences Research Councilen_US


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