Browsing Centre for Digital Music (C4DM) by Title
Now showing items 156-175 of 210
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Predictive information in Gaussian processes with application to music analysis
(Springer Berlin Heidelberg, 2013-08-28)We describe an information-theoretic approach to the analysis of sequential data, which emphasises the predictive aspects of perception, and the dynamic process of forming and modifying expectations about an unfolding ... -
The Relationship Between Emotion and Music Production Quality
(Centre for Digital Music, Queen Mary University of London, 2016-12-20)It is commonly known that music expresses emotion. In music production, the role of the mix engineer is to take a piece of recorded music and convey the emotions expressed as professionally sounding as possible. In this ... -
Representation of Musical Structure for a Computationally Feasible Integration with Audio-Based Methods
(Schloss Dagstuhl–Leibniz-Zentrum fuer Informatik, 2016-10-07)In terms of terminology, “musical structure” has been used in several, different contexts. In one interpretation, musical structure is essentially equivalent to musical form, which can be considered as a genre or rather ... -
Risky business: Disfluency as a design strategy
(2018-06-02)This paper presents a study examining the effects of disflu- ent design on audience perception of digital musical instru- ment (DMI) performance. Disfluency, defined as a barrier to effortless cognitive processing, has ... -
Sampling the extrema from statistical models of music with variable neighbourhood search.
(Michigan Publishing, 2014) -
The scientific evaluation of music content analysis systems: Valid empirical foundations for future real-world impact
We discuss the problem of music content analysis within the formal framework of experimental design.