dc.contributor.author | Armitage, J | en_US |
dc.contributor.author | Morreale, F | en_US |
dc.contributor.author | McPherson, A | en_US |
dc.contributor.author | New Instruments for Musical Expression 2017 | en_US |
dc.date.accessioned | 2017-05-10T13:05:10Z | |
dc.date.available | 2017-04-04 | en_US |
dc.date.issued | 2017-05-14 | en_US |
dc.date.submitted | 2017-05-05T13:32:32.441Z | |
dc.identifier.uri | http://qmro.qmul.ac.uk/xmlui/handle/123456789/22883 | |
dc.description.abstract | Many digital musical instrument design frameworks have been proposed that are well suited for analysis and comparison. However, not all provide applicable design suggestions, especially where subtle, important details are concerned. Using traditional lutherie as a model, we conducted a series of interviews to explore how violin makers “go beyond the obvious”, and how players perceive and describe subtle details of instrumental quality. We find that lutherie frameworks provide clear design methods, but are not enough to make a fine violin. Success comes after acquiring sufficient tacit knowledge, which enables detailed craft through subjective, empirical methods. Testing instruments for subtle qualities was suggested to be a different skill to playing. Whilst players are able to identify some specific details about instrumental quality by comparison, these are often not actionable, and important aspects of “sound and feeling” are much more difficult to describe. In the DMI domain, we introduce the term NIMEcraft to describe subtle differences between otherwise identical instruments and their underlying design processes, and consider how to improve the dissemination of NIMEcraft. | en_US |
dc.publisher | New Instruments for Musical Expression | en_US |
dc.subject | craft | en_US |
dc.subject | design | en_US |
dc.subject | evaluation | en_US |
dc.subject | lutherie | en_US |
dc.subject | violin | en_US |
dc.subject | tacit knowledge | en_US |
dc.subject | frameworks | en_US |
dc.title | "The finer the musician, the smaller the details": NIMEcraft under the microscope | en_US |
dc.type | Conference Proceeding | |
dc.rights.holder | © 2017 by NIME | |
pubs.author-url | http://www.instrumentslab.org/ | en_US |
pubs.notes | No embargo | en_US |
pubs.organisational-group | /Queen Mary University of London | |
pubs.organisational-group | /Queen Mary University of London/Faculty of Science & Engineering | |
pubs.organisational-group | /Queen Mary University of London/Faculty of Science & Engineering/Electronic Engineering and Computer Science - Computer Science - Research Students | |
pubs.organisational-group | /Queen Mary University of London/Faculty of Science & Engineering/Electronic Engineering and Computer Science - Staff | |
pubs.organisational-group | /Queen Mary University of London/Faculty Reporting - Research Students | |
pubs.organisational-group | /Queen Mary University of London/Faculty Reporting - Research Students/Faculty of Science & Engineering PGRs | |
pubs.organisational-group | /Queen Mary University of London/REF | |
pubs.organisational-group | /Queen Mary University of London/REF/REF - UoA 11 | |
pubs.organisational-group | /Queen Mary University of London/REF/REF - UoA 12 | |
pubs.publication-status | Published online | en_US |
pubs.publisher-url | http://www.nime.org/ | en_US |
dcterms.dateAccepted | 2017-04-04 | en_US |
qmul.funder | Design for Virtuosity: Modelling and Supporting Expertise in Digital Musical Interaction::Engineering and Physical Sciences Research Council | en_US |
qmul.funder | Design for Virtuosity: Modelling and Supporting Expertise in Digital Musical Interaction::Engineering and Physical Sciences Research Council | en_US |