| dc.contributor.author | Barthet, M | en_US |
| dc.contributor.author | Fazekas, G | en_US |
| dc.contributor.author | Thalmann, F | en_US |
| dc.contributor.author | Sandler, M | en_US |
| dc.contributor.author | Wiggins, GA | en_US |
| dc.date.accessioned | 2016-05-24T14:52:41Z | |
| dc.date.issued | 2016 | en_US |
| dc.date.submitted | 2016-04-29T10:05:09.303Z | |
| dc.identifier.uri | http://qmro.qmul.ac.uk/xmlui/handle/123456789/12502 | |
| dc.description | date-added: 2017-12-22 18:26:58 +0000 date-modified: 2017-12-22 18:38:33 +0000 keywords: mood-based interaction, intelligent music production, HCI local-url: https://qmro.qmul.ac.uk/xmlui/handle/123456789/12502 publisher-url: http://mcl.open.ac.uk/music-chi/uploads/19/HCIMUSIC_2016_paper_15.pdf bdsk-url-1: https://qmro.qmul.ac.uk/xmlui/bitstream/handle/123456789/12502/Barthet%20Crossroads%3A%20Interactive%20Music%20Systems%202016%20Accepted.pdf | en_US |
| dc.description | date-added: 2017-12-22 18:26:58 +0000 date-modified: 2017-12-22 18:38:33 +0000 keywords: mood-based interaction, intelligent music production, HCI local-url: https://qmro.qmul.ac.uk/xmlui/handle/123456789/12502 publisher-url: http://mcl.open.ac.uk/music-chi/uploads/19/HCIMUSIC_2016_paper_15.pdf bdsk-url-1: https://qmro.qmul.ac.uk/xmlui/bitstream/handle/123456789/12502/Barthet%20Crossroads%3A%20Interactive%20Music%20Systems%202016%20Accepted.pdf | en_US |
| dc.description | date-added: 2017-12-22 18:26:58 +0000 date-modified: 2017-12-22 18:38:33 +0000 keywords: mood-based interaction, intelligent music production, HCI local-url: https://qmro.qmul.ac.uk/xmlui/handle/123456789/12502 publisher-url: http://mcl.open.ac.uk/music-chi/uploads/19/HCIMUSIC_2016_paper_15.pdf bdsk-url-1: https://qmro.qmul.ac.uk/xmlui/bitstream/handle/123456789/12502/Barthet%20Crossroads%3A%20Interactive%20Music%20Systems%202016%20Accepted.pdf | en_US |
| dc.description.abstract | We discuss several state-of-the-art systems that propose new paradigms and user workflows for music composition, production, performance, and listening. We focus on a selection of systems that exploit recent advances in semantic and affective computing, music information retrieval (MIR) and semantic web, as well as insights from fields such as mobile computing and information visualisation. These systems offer the potential to provide transformative experiences for users, which is manifested in creativity, engagement, efficiency, discovery and affect. | en_US |
| dc.rights | To be published by http://chi2016.acm.org/wp/ | |
| dc.title | Crossroads: Interactive Music Systems Transforming Performance, Production and Listening | en_US |
| dc.type | Conference Proceeding | |
| pubs.notes | Not known | en_US |
| pubs.publisher-url | https://qmro.qmul.ac.uk/xmlui/bitstream/handle/123456789/12502/Barthet%20Crossroads%3A%20Interactive%20Music%20Systems%202016%20Accepted.pdf | en_US |
| qmul.funder | Fusing Semantic and Audio Technologies for Intelligent Music Production and Consumption::Engineering and Physical Sciences Research Council | en_US |
| qmul.funder | Fusing Semantic and Audio Technologies for Intelligent Music Production and Consumption::Engineering and Physical Sciences Research Council | en_US |
