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dc.contributor.authorMCILVENNA, UM
dc.date.accessioned2016-03-21T14:11:26Z
dc.date.issued2015
dc.identifier.issn1477-464X
dc.identifier.urihttp://qmro.qmul.ac.uk/xmlui/handle/123456789/11535
dc.language.isoenen_US
dc.publisherOxford University Press (OUP)
dc.relation.ispartofPast and Present: A Journal of Historical Studies
dc.rightsThis is a pre-copyedited, author-produced PDF of an article accepted for publication in Past and Present: A Journal of Historical Studies following peer review. The version of record, Una McIlvenna, The Power of Music: the Significance of Contrafactum in Execution Ballads, Past and Present (2015) 229 (1): 47-89 doi:10.1093/pastj/gtv032, is available online at: http://dx.doi.org/10.1093/pastj/gtv032.
dc.titleThe Power of Music: The Significance of Contrafactum in Execution Ballads
dc.typeJournal Article
dc.rights.holder(c) The Past and Present Society, Oxford, 2015.
dc.relation.isPartOfPast and Present: A Journal of Historical Studies
pubs.organisational-group/Queen Mary University of London
pubs.organisational-group/Queen Mary University of London/Faculty of Humanities, Social Sciences & Law
pubs.organisational-group/Queen Mary University of London/Faculty of Humanities, Social Sciences & Law/English and Drama - Staff


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