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dc.contributor.authorMurray, Ros
dc.date.accessioned2015-01-21T08:38:26Z
dc.date.available2015-01-21T08:38:26Z
dc.date.issued2014
dc.identifier.citationRos Murray (2014) Activism, affect, identification: trans documentary in France and Spain and its reception, Studies in European Cinema, 11:3, 170-180, DOI: 10.1080/17411548.2014.972722en_US
dc.identifier.issn1741-1548
dc.identifier.urihttp://qmro.qmul.ac.uk/xmlui/handle/123456789/6369
dc.description.abstractThis article explores the documentation of trans activism in France and Spain since the 2000s. The first part addresses questions surrounding the place of affect and narrative in documentary film, particularly in relation to trans issues. The second part o f the article analyses an audience case study from a screening at the International Gay and Lesbian Film Festival in Barcelona of Valérie Mitteaux's Girl or Boy, My Sex is not my Gender (2011), considering how different viewers respond to the representatio n of trans identities. The article builds on qualitative research whilst extending the exploration of sexuality and gender in previous audience studies to a consideration of documentary film, seeking to provide a more nuanced understanding of what audience claims for identification in politicised contexts mean.
dc.format.extent170-180
dc.language.isoenen_US
dc.publisherIntellecten_US
dc.relation.ispartofStudies in European Cinema
dc.titleActivism, affect, identification: trans documentary in France and Spain and its receptionen_US
dc.typeArticleen_US
dc.identifier.doi10.1080/17411548.2014.972722
pubs.issue3
pubs.volume11


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