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dc.contributor.authorSHIACH, MEen_US
dc.contributor.editorSHIACH, MEen_US
dc.date.accessioned2018-10-25T14:27:59Z
dc.date.issued2018-10-08en_US
dc.date.submitted2018-09-05T14:00:57.773Z
dc.identifier.other3
dc.identifier.other3
dc.identifier.other3en_US
dc.identifier.other3en_US
dc.identifier.other3en_US
dc.identifier.urihttp://qmro.qmul.ac.uk/xmlui/handle/123456789/48963
dc.description.abstractThis chapter stages an argument about the importance of the ways in which three modernist writers engaged with scientific ideas and deployed explicitly scientific metaphors in the year 1919. It offers new insights into the extent to which, at this particular historical moment, the theorisation and the creation of what was understood as ‘modern’ writing happened in the interstices between science and literature. The writers discussed are T. S. Eliot, Virginia Woolf and Dorothy Richardson, and the analysis of their texts engages with the metaphor of ‘the atom’, and ‘the catalyst’ and the idea of ‘waves of light’. Focussing on one single year, the chapter maps with some precision networks of transmission between scientific and literary writings through attention to journals, little magazines, and a range of literary and scientific publications from that year, as well as drawing on diaries, letters and other forms of historical evidence.en_US
dc.format.extent59 - 76 (18)en_US
dc.language.isoenen_US
dc.publisherUCL Pressen_US
dc.relation.ispartofBeing Modern: The Cultural Impact of Science in the Early Twentieth Centuryen_US
dc.rightsCC BY-NC-SA
dc.subjectatomen_US
dc.subjectcatalysten_US
dc.subjectwaves of lighten_US
dc.subjectWoolfen_US
dc.subjectRichardsonen_US
dc.subjectElioten_US
dc.subjectRoyal Institution Lecturesen_US
dc.titleWoolf’s atom, Eliot’s catalyst, and Richardson’s waves of light: science and modernism in 1919en_US
dc.typeBook chapter
dc.rights.holder© Authors, 2018
pubs.notesNot knownen_US
pubs.place-of-publicationlondonen_US
pubs.publisher-urlhttps://www.ucl.ac.uk/ucl-press/browse-books/being-modernen_US


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