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dc.contributor.authorFazekas, Gen_US
dc.contributor.authorBARTHET, Men_US
dc.contributor.authorSandler, MBen_US
dc.date.accessioned2018-04-24T12:12:20Z
dc.date.available2014-08-24en_US
dc.date.issued2014-12-05en_US
dc.date.submitted2018-04-20T14:17:44.098Z
dc.identifier.issn0302-9743en_US
dc.identifier.urihttp://qmro.qmul.ac.uk/xmlui/handle/123456789/36478
dc.description.abstractWhile listeners’ emotional response to music is the subject of numerous studies, less attention is paid to the dynamic emotion variations due to the interaction between artists and audiences in live improvised music performances. By opening a direct communication channel from audience members to performers, the Mood Conductor system provides an experimental framework to study this phenomenon. Mood Conductor facilitates interactive performances and thus also has an inherent entertainment value. The framework allows audience members to send emotional directions using their mobile devices in order to “conduct” improvised performances. Emotion coordinates indicted by the audience in the arousal-valence space are aggregated and clustered to create a video projection. This is used by the musicians as guidance, and provides visual feedback to the audience. Three different systems were developed and tested within our framework so far. These systems were trialled in several public performances with different ensembles. Qualitative and quantitative evaluations demonstrated that musicians and audiences were highly engaged with the system, and raised new insights enabling future improvements of the framework.en_US
dc.format.extent122 - 147en_US
dc.languageEnglishen_US
dc.publisherSpringer-Verlagen_US
dc.relation.ispartofLecture Notes in Computer Scienceen_US
dc.subjectAudience-performer interaction Music Performance Emotion Mood Arousal Valence Improvisation Live concert Mobile technology Smartphone app Real time Visualisation Human computer interactionen_US
dc.titleNovel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Frameworken_US
dc.typeArticle
dc.rights.holder© Springer International Publishing Switzerland 2014
dc.identifier.doi10.1007/978-3-319-12976-1_8en_US
pubs.issueSound, Music, and Motionen_US
pubs.notesNo embargoen_US
pubs.publication-statusPublisheden_US
pubs.publisher-urlhttp://link.springer.com/chapter/10.1007/978-3-319-12976-1_8en_US
pubs.volume8905en_US
dcterms.dateAccepted2014-08-24en_US


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