Performance and Value: The Work of Theatre in Karl Marx’s Critique of Political Economy

dc.contributor.author	BOYLE, MS	en_US
dc.date.accessioned	2017-03-22T14:30:27Z
dc.date.available	2016-10-06	en_US
dc.date.issued	2017-01-05	en_US
dc.date.submitted	2017-03-20T16:54:51.038Z
dc.identifier.uri	http://qmro.qmul.ac.uk/xmlui/handle/123456789/22122
dc.description.abstract	That theatre is a place of work seems beyond debate. But what kind of workplace is it? And under what conditions does theatre conform to a capitalist production process? At first glance these questions may seem obviously, even inextricably, linked; but investigating theatre as somewhere people go to work is a far different enterprise than specifying its economic connection to capital.	en_US
dc.format.extent	3 - 23	en_US
dc.language.iso	en	en_US
dc.relation.ispartof	Theatre Survey	en_US
dc.subject	Marxism	en_US
dc.subject	Value Theory	en_US
dc.subject	Theatre	en_US
dc.subject	Performance Theory	en_US
dc.subject	Political Economy	en_US
dc.subject	Autononism	en_US
dc.title	Performance and Value: The Work of Theatre in Karl Marx’s Critique of Political Economy	en_US
dc.type	Article
dc.rights.holder	© 2017 American Society for Theatre Research
pubs.issue	1	en_US
pubs.notes	6 months	en_US
pubs.publication-status	Published	en_US
pubs.volume	58	en_US
dcterms.dateAccepted	2016-10-06	en_US