Ex-centric Cinema Giorgio Agamben and Film Archaeology
dc.contributor.author | Harbord, J | en_US |
dc.date.accessioned | 2017-03-09T09:55:51Z | |
dc.date.issued | 2016-10-20 | en_US |
dc.date.submitted | 2016-12-15T16:03:51.072Z | |
dc.identifier.isbn | 1628922400 | en_US |
dc.identifier.isbn | 9781628922400 | en_US |
dc.identifier.uri | http://qmro.qmul.ac.uk/xmlui/handle/123456789/19763 | |
dc.description.abstract | Yet the story of cinema became (through its institutionalization) one in which the human swiftly assumed centrality through the literary crafting of story, character and the expression of interiority. | en_US |
dc.format.extent | ? - ? (272) | en_US |
dc.language.iso | en | en_US |
dc.publisher | Bloomsbury Publishing USA | en_US |
dc.subject | Performing Arts | en_US |
dc.title | Ex-centric Cinema Giorgio Agamben and Film Archaeology | en_US |
dc.type | Book | |
dc.rights.holder | © Janet Harbord, 2016. | |
pubs.notes | Not known | en_US |
pubs.publication-status | Published | en_US |
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Film Studies [135]